Eugenio Gignous(Milan, 1850 - Stresa (Verbania), 1906) was an Italian painter. The son of a silk merchant from Lyon, Gignous displayed a precocious talent for painting and enrolled at the Brera Academy of Fine Arts in 1864, attending the courses on landscape taught by Luigi Riccardi and then Gaetano Fasanotti. He came into contact with the Milanese Scapigliatura movement when still very young and formed a close friendship with Tranquillo Cremona. He began to focus exclusively on landscape in the 1870s, experimenting with painting en plein air and producing views of the Lombard and Piedmontese countryside that he showed at all the major national exhibitions. The late 1870s saw a more naturalistic approach to landscape painting under the influence of Filippo Carcano, with whom Gignous went to paint on Lake Maggiore in 1879, thus inaugurating a thematic repertoire devoted primarily to views of the Verbano, Mottarone and Val deOssola. Some biographical notes written by the artistes wife Matilde would appear to bear out the hypothesis of a trip to Paris in the company of Carcano in 1878 and attest to friendship with Vincenzo Vela, who was apparently his host on numerous occasions in Ligornetto. A recognised leader of the Lombard school of painting, he lived in Stresa and on the coast of Liguria from 1887 to 1906, his year of his death, with long stays in Venice. The Venice Biennale held a retrospective exhibition of his work in 1907. | |||
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Paesaggio Al Tramonto Måleriet identifieringen:: 85991 Titta min galleri i Sverige |
Paesaggio Al Tramonto Medium Oil on canvas Dimensions 32.5 x 43.5 cm (12.8 x 17.1 in) cjr Medium_Oil_on_canvas _ Dimensions_32.5_x_43.5_cm_(12.8_x_17.1_in) _ cjr |
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Paesaggio con treno Måleriet identifieringen:: 85993 Titta min galleri i Sverige |
Paesaggio con treno Date 1891(1891) Medium Oil on canvas Dimensions 55 x 75 cm (21.7 x 29.5 in) cjr Date_1891(1891) _ Medium_Oil_on_canvas _ Dimensions_55_x_75_cm_(21.7_x_29.5_in) _ cjr |
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Venice Måleriet identifieringen:: 90517 Titta min galleri i Sverige |
Venice 1882(1882) Medium oil on canvas Dimensions 23.5 x 35.9 cm (9.3 x 14.1 in) cyf 1882(1882) _ Medium_oil_on_canvas _ Dimensions_23.5_x_35.9_cm_(9.3_x_14.1_in) _ cyf |
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Riva a Feriolo Måleriet identifieringen:: 90856 Titta min galleri i Sverige |
Riva a Feriolo 1886(1886) Medium oil on canvas Dimensions 37 x 45.4 cm (14.6 x 17.9 in) cyf 1886(1886) _ Medium_oil_on_canvas _ Dimensions_37_x_45.4_cm_(14.6_x_17.9_in) _ cyf |
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The Environs of Milan Måleriet identifieringen:: 96328 Titta min galleri i Sverige |
The Environs of Milan 1870(1870) Medium oil on canvas cyf 1870(1870)_ Medium_oil_on_canvas_ cyf |
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| Eugenio Gignous | ||||||||||
| (Milan, 1850 - Stresa (Verbania), 1906) was an Italian painter. The son of a silk merchant from Lyon, Gignous displayed a precocious talent for painting and enrolled at the Brera Academy of Fine Arts in 1864, attending the courses on landscape taught by Luigi Riccardi and then Gaetano Fasanotti. He came into contact with the Milanese Scapigliatura movement when still very young and formed a close friendship with Tranquillo Cremona. He began to focus exclusively on landscape in the 1870s, experimenting with painting en plein air and producing views of the Lombard and Piedmontese countryside that he showed at all the major national exhibitions. The late 1870s saw a more naturalistic approach to landscape painting under the influence of Filippo Carcano, with whom Gignous went to paint on Lake Maggiore in 1879, thus inaugurating a thematic repertoire devoted primarily to views of the Verbano, Mottarone and Val deOssola. Some biographical notes written by the artistes wife Matilde would appear to bear out the hypothesis of a trip to Paris in the company of Carcano in 1878 and attest to friendship with Vincenzo Vela, who was apparently his host on numerous occasions in Ligornetto. A recognised leader of the Lombard school of painting, he lived in Stresa and on the coast of Liguria from 1887 to 1906, his year of his death, with long stays in Venice. The Venice Biennale held a retrospective exhibition of his work in 1907. | ||||||||||
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